Wrap it up, I’ll take it!

banner_book launchesI’ve had two weeks to recover and I’m ready for my close-up… so here’s what I got up to at Conflux 14 (theme: the unconventional hero) over the October long weekend.

Panels!

Hero cliches and how to make or break them: I had fun talking clichés with Leife Shallcross and Sam Hawke, ably chaired by Ion ‘Nuke’ Newcombe of Antipodean SF. I may have pulled on my ranty-pants, mentioning the gendered nature of the etymology of ‘hero’. Which segues nicely to…  

Conflux panelAbusive alpha males and sassy Mary-Sues: when heroes go bad: I chaired the feisty panel of Keri Arthur, Annabelle McInnes and K J Taylor who discussed self-indulgent author inserts, alpha jerks, and why male Mary-Sues aren’t seen as entirely unbelievable. (Hint: it’s because of the patriarchy).

The Unconventional Romance: I enjoyed this genre-bending, boundary-pushing session with Freya Marske chairing Leife Shallcross, Keri Arthur and Jane Virgo.

Session on Pitching: There were plenty of dos, don’ts and for-the-love-of-God-nos in this session with Abigail Nathan of Bothersome Words, editor Lyss Wickramasinghe and Paula Boer.

Unconventional Hero’s Journey: The panel of Gillian Polack, Dave Versace, Simon Petrie and Abigail Nathan, chaired by Rob Porteous, took us over Campbell’s Hero Journey and discussed other ways of looking at a hero.

Workshops!

I ran a sparsely populated workshop on the hallmarks of heroism on the Monday morning after the conference dinner. Alas, many of the registrants decided another hour of sleep recuperation trumped the appeal of discovering the secrets of how to write protagonists a reader would love.

I went to a fabulous workshop on writing fight scenes with Aiki Flinthart. Not only was it full of fantastic information on the differences between men and women fighting, both psychologically and physiologically, and the differences between trained and untrained combatants – all of which was super useful – I also got stabbed. Well, I volunteered to pretend to be someone who had no combat training and no experience of body contact sports. I was very convincing in the role. My reaction was entirely typical of a clueless victim – shriek and flail uselessly!

I also enjoyed a workshop on worldbuilding with Russell Kirkpatrick looking at maps and how the inclusion of a map in a book influences the way readers see the world.

Book launches!

The Book of Lore by Rob Porteous:  Rob did a great job of being the convention’s unconventional MC and also launched his book on writing speculative fiction. This is the distilled wisdom from several years of running the CSFG Novel Writing Group which can be used as a ‘how-to’ guide to writing your own novel.

80,000 Totally Secure Passwords that no hacker would ever guess by Simon Petrie: Simon is a master of puns, cool book titles and thought-provoking science fiction. He launched this best-of collection at Conflux.

Iron by Aiki Flinthart: I can’t wait to get the chance to read this first in a trilogy tale of a world without iron and fossil fuel… and what happens when someone discovers an iron ore deposit. Plus (squeee) everyone who bought a book at the launch got a lovely little sword bookmark.

AHOK launchA Hand of Knaves: In a fittingly dangerous crowd of ne’er-do-wells and ruffians the latest CSFG anthology was introduced by Rob Porteous, launched by editors Leife Shallcross and Chris Large, illustrated by Shauna O’Meara, read from by Dave Versace, Eugen Bacon and myself and sold to the heaving masses by Angus Yeates and Simon Petrie. As well as that hand of villains, other contributors wielding pens for the signing included Helen Stubbs, Maureen Flynn, C H Pearce and Claire McKenna. It was a lot of fun.

But perhaps the best part of any convention (and Conflux 14 was not so unconventional as to be an exception) was meeting the most fabulous writerly peeps: I spent time with my tribe and made new friends. Thanks to the Conflux team for pulling everything together. Glorious stuff!

High, low, everywhere we go

B_heads2

Here’s a perfect demonstration of the highs and lows of a writing life:

In the same week of receiving confirmation that my short story would be published in the upcoming CSFG anthology, A Hand of Knaves, I’ve also had my historical fantasy novel rejected.

The publishers requested the full manuscript, on the basis of my unsolicited submission, so I sent it off and kept my fingers crossed for three months. Uncomfortable.

Alas! They said they liked it. But they did not love it.

There’s nothing to be done except take comfort from their comment that the main character was ‘likeable, engaging and well-rounded’, pull on my big girl writey-pants, and (like all wordsmiths practised in the dark arts of rejectomancy) get back to work. 

Five for silver – stand and deliver!

magpies

One for sorrow, two for joy, three for a girl, four for a boy, five for silver, six for gold, seven for a secret never to be told.

Our local magpie horde come demanding treats, and in the best knavish style I’d like to ask you to stand and deliver … or, that is, to kindly request your support to help publish a new Australian science-fiction and fantasy anthology.

This year the Canberra Speculative Fiction Guild* is publishing an anthology featuring rogues and scoundrels: A Hand of Knaves. Authors will be paid for their stories (the editors Chris Large and Leife Shallcross are probably finalising their selection from the submitted stories as I type**) but the CSFG wants to pay the authors, editors and artists more***.

To which end – crowdfunding!

There’s only SIX DAYS LEFT of the Hand of Knaves crowdfunding campaign.

If you follow that link to Indiegogo, you can support the anthology, and receive in return all sorts of benefits: art cards, books, acknowledgment in the anthology, a character named after you, or for those of you who write –  a structural edit or short story critique.

And, of course, you also get that delicious warm inner glow from directly supporting the arts. Mmmm.

Please share the link with anyone you know who is interested in Australian writers and writing – especially spec fiction, which is fantasy, sci-fi, horror, or any combination of them, and remember you only have until the 10th of January to support these delightful knaves.

 

* Disclaimer the first: I’m the vice-president of the CSFG.

**Disclaimer the second: Yes, I did submit stories to the anthology. No, I don’t know if my knaves have been chosen for inclusion.

*** Wondering about amounts? CSFG is a not-for-profit writing group, and most of the money made from selling previous anthologies goes to funding the next ones. The basic budget will pay authors at a rate of about 1 cent per word for a 5000 word story. I know! Story words are worth more than that! Professional industry rates for short stories are around 6 cents a word. Hence the crowdfunding, so thanks for any support you can give.

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